MFA - Art Center College of Design, Pasadena

BFA - University of California, San Diego, La Jolla

University of Paris - Film and Critical Studies Program

Figure / Ground, showcase sponsored by Los Angeles Magazine, H.D. Buttercup, Los Angeles, catalogue essay, Jan Tumlir

Motion Studies: Sliding, Jumping, Riding, Guardshack, Bergamot Station, Santa Monica

Reverie, Künstlerhaus Bethanien, Berlin, catalogue essay, Harald Fricke

A Small Fortune, 200 Gertrude Street, Melbourne, catalogue essay, Jeremy Gilbert-Rolfe

To Whom It May Concern, Art Center College of Design, Pasadena

White Light/White Heat, Mahan Gallery, Columbus

The Artists Cinema, "Performance Anxiety", Frieze Art Fair, Regents Park, London, curated by
Maria-Christina Villaseñor, Associate Curator of Film & Media, Solomon R. Guggenheim Museum, NY

CAGED, Armory Center for the Arts, Pasadena, Juried Exhibition

LA Freewaves, 8th Biennial Festival of Experimental Media Arts: TV or NOT TV, Los Angeles
Involuntary Narratives, Curated by Laura Purdy, venues include:
Chinatown, Los Angeles, Armory Center for the Arts, Pasadena, Santa Barbara Contemporary Arts Forum, Santa Barbara, Detroit Video Festival,
Museum of New Art, Detroit

Cross Female: Metaphors of the Female in the Art of the 90's Kunst-Und Kunstgewerbeverein, Pforzheim

Cross Female: Metaphors of the Female in the Art of the 90's, Künstlerhaus Bethanien, Berlin

Always Greener, Platform, Melbourne (two person)

New Work, Gallery 207, Los Angeles (two person)

Cold Drink, 1999 Summer Film and Video Festival, Artists Space, New York Curator: Jenelle Porter

Sunshine & Noir. Art in LA 1960 - 1997, (video program) exhibition tour:
UCLA at the Armand Hammer Museum, Los Angeles,Castello di Rivoli, Turin, Künstmuseum, Wolfsburg (1997 - 1998),
Louisiana Museum of Art, Humlebaek (1997)

Lessons in Hunger, Contemporary Arts Collective, Las Vegas7

Trans(action), West Space Inc., Melbourne and Para/Site, Hong Kong http://www.vicnet.net.au/~westinc/transaction/index.htm7

Patterns of Intention, OSMOS, Berlin, curators Christian Rattemeyer / Cay Sophie Rabinowitz7

Sampler 2, Organized by Diana Thater, W139, Amsterdam

100 Dollar Show, POST, Los Angeles7

Persona, Renaissance Society, University of Chicago and Künsthalle Basel Curators Suzanne Ghez and Diana Thater

New Work From Southern California, Society for Photographic Education 33rd National Conference, Los Angeles

Sampler 2, Organized by Diana Thater, David Zwirner Gallery, New York

Santa Monica Trains, Art & History Festival, Santa Monica, collaboration with Ethan Johnson

1995 BANALE, L.A. Center for Photographic Studies, Los Angeles

The Big Night, a show curated for Colin Gardner, critic, Los Angeles

Arts Festival of Atlanta, Video Art Exhibition, Atlanta

Against Nature, Art Center College of Design, Pasadena

Transtextualism, curated by Sabina Ott, Mark Moore Gallery, Santa Monica

Next, California State University, Los Angeles

RE: SOLUTION, Video Annuale, LACE, Hollywood

Grammarians, curated by Michael Anderson, Guggenheim Gallery, Chapman University, Orange

She Disappeared First, University Film and Video Association Conference, Montana State University, Bozeman, Montana

Glimpse/View/Look, ACCD, Pasadena

Drawing: A Covert and Private Affair, Rutgers University, New Brunswick

Variations, single channel, 5 minutes

Win/Lose, single channel version, 3 minutes

House Objects, single channel, 3 minute loop

Hula, Hula 2, Flying, installation, length variable

Rainbow, 2 minutes

Win/Lose, installation, length variable

Motion Studies: Sliding, Jumping, Riding and Robots, 3 minute loops

Always Greener, 10 minutes

Camera Obscura, 10 minutes

Triptych, 6 minutes

Garden, 14 minutes, part of a video sculpture

Catch and Release, 12 minutes, part of a video sculpture

Reverie, triptych for installation: (Swan, 8 minutes, Landscape, 6 minutes, Forest, 10 minutes),

Here and There, 8 minutes, looped

Parlor Projection, length variable

A Small Fortune, 10 minutes

Love Bubble, 45 minutes, a collaboration with Dr. Richard Hertz

The Kiss, 21 minutes

Momentary Suspension, 6 minutes

Eight Minutes (prelude), 8 minutes

Agapanthus Lapsus, 1 1/2 minutes, accompanying video stills, edition 14

To Whom It May Concern, 32 minutes

She Disappeared First, 30 minutes, a collaboration with Jessica Bronson

Swoon Tees, ElevenTwentyfive, Los Angeles

X-TRA magazine, Volume 8, Issue 3, Artist Project, Los Angeles

Swoon Pillows, Swoon Pattern, Eleven Twentyfive, Los Angeles

Traffic Report, "Camera Obscura", 18th Street Arts Complex, Santa Monica

Dialogue No.11, "Fashion", West Space Inc., Melbourne

Dialogue No. 5, "Fictions", West Space Inc., Melbourne

Artfan, issue devoted to art school, Melbourne

Art and Design, video stills accompany essay: "Cabbages, Raspberries, and Video's Thin Brightness" by J. Gilbert-Rolfe

Stillness and Simultaneity, Masters Thesis, ACCD, Pasadena

Grammarians, Fiction Compilation, Chapman Univ., Orange

Video stills: To Whom It May Concern: Art Issues, March, Art Issues, January/February, Flash Art, January, More and Less - literary journal

Summer Reading 1993, fiction publication: Soooooo Cute, Los Angeles Reader

Video still: She Disappeared First, Artweek - (cover), May

Emergency Artist Grant, Foundation for Contemporary Art, New York

Faculty Enrichment Grant, Art Center College of Design, Pasadena

Faculty Enrichment Grant, Art Center College of Design, Pasadena

California Digital Arts Workshop, American Film Institute, Los Angeles

Artist in Residence, Künstlerhaus Bethanien, Berlin

Philip Morris Artist Grant, Munich

Nominee, The Louis Comfort Tiffany Foundation Biennial Competition

Artist in Residence, 200 Gertrude Street Artists' Spaces, Melbourne

Art Matters Foundation Fellowship, New York